Detailed Shot Breakdown:
Shots 1-4: Truth: Rotten Apple
Integration of multi-pass cg elements as well as 2D elements
Shots 5-7: Trust Bank
Green screen matte extraction
Integration of multi-pass cg elements as well as 2D elements
Projected matte painting
Lens flares
Shots 8-13: A Very Harold & Kumar 3D Christmas
Stereo 3D compositing including numerous fixes to the non-hero eye
Integration of multi-pass cg elements as well as 2D elements
Faked interactive lighting
Heavy manipulation of CG fire to make it look convincing
Matte extraction and animation of burning branch elements to add interaction with actors and environment.
Shots 14-15: Oasis
Integration of cg elements as well as 2D elements
Removal of signage originally in shot.
Roto
Shots 16-17: Truth: AFW
Integration of multi-pass cg elements as well as 2D elements into footage that had already been color graded and had a vignette.
Reconstruction of approximate beauty passes in comp due to renders with broken or missing layers.
Lens and dust elements
Shots 18-19: Pot Noodle GTI
Integration of multi-pass cg elements as well as 2D elements
Addition of all sorts of lights and weird things to the cars.
Environment and camera move built in comp due to unusable footage.
Shots 20-27: Truth: Zing Shot
Integration of multi-pass cg elements as well as 2D elements into footage that had already been color graded and had a vignette.
Reconstruction of approximate beauty passes in comp due to renders with broken or missing layers.
(26)Clean plating of background to facilitate replacement of fallen tree with an animated CG one.
(26, 27) Cleanup of UV mapped wound on banana monster
Lens and dust elements
Lens flares
Rotoscoping
Shots 28-29: Trust Bank
Integration of multi-pass cg elements as well as 2D elements
Added damage to Maybach
Faked reflections using CG renders, warping and roto
Lens and dust elements
Lens flares
Shot 30: Truth: Gooliath
Integration of multi-pass cg elements as well as 2D elements
Clean plating of footage to remove people and vehicles
Faked interactive lighting from explosions.
Lens elements
Shot 31: William Hill
Matte extraction of players while maintaining semi transparent alpha channel on grass
Integration of players into CG stadium
Large amount of color grading as well as atmospheric effects applied to stadium render
Lens and dust elements
Lens flares
Shots 32-36: Eminem ft. Rihanna “Love the Way You Lie”
Compositing of a large amount of practical fire shots onto actors using warping, roto, time remapping and tracking.
Integration of CG smoke
(36) Integration of CG fire
Because of time constraints I was forced to complete the majority of this video on my own while working off of footage that I made from the low resolution quicktime generated from the offline edit.
This video also involved a frame by frame paintout of cross hairs on video tap footage that was used because of a corrupted r3d file.
Shots 37-42: Truth: Menthol
(37) Green screen matte extraction
(38) Integration of background matte painting
(38) Integration of a full multi-pass cg environment with two practical plates, none of which where fully aligned.
(38) DOF and focus shifts
Large amount of clean up work on practical footage to make it fit into CG environment.
(41) Integration of set extension matte painting in background.
Lens and dust elements
Lens flares
Shots 43-44: A Very Harold & Kumar 3D Christmas
Blue screen matte extraction
Stereo 3D compositing including fixes to the non-hero eye
Shots 45-47: A Very Harold & Kumar 3D Christmas
Blue screen matte extraction
Stereo 3D compositing including fixes to the non-hero eye
This scene involved working with the director and CG team in order to set the look.
Backgrounds were assembled out of individual grayscale CG elements and then graded in comp.